I began the journey that would ultimately save my life in 2004 when I walked through the glass door frame of Sen Shin Kan Martial Arts in Oklahoma City, Oklahoma. As a child I always dreamed of fighting dragons and killing giants (it should be noted I still dream of those things), and I had been obsessed with samurai culture ever since I had seen the TV adaptation of Shogun at the recommendation of my benevolent grandmother. Finally, after graduating from high school and following my sweetheart to a Benedictine University about 45 minutes away from the dojo, I would get my chance to learn the swordsmanship of my dreams ... or so I thought. 
             
​In the years that followed, I gained wonderful opportunities to make new friends and meet new and interesting people. I was able to travel the United States, participating in seminars, tests and tournaments—even reaching a point where I had the great fortune and opportunity of participating in the U.S. National Tournament—and I was lucky enough to forge the defining friendships of my adult life. More than anything, I met my teachers: Abe Koki sensei (Rokudan Renshi) and Iwanami Yoshio sensei (Nanadan Kyoshi) of the Shiku Kai Dojo of Kanagawa, Japan. It would be these two figures who came to represent the Budo values that I had always read about in my childhood, and who to this day epitomize my understanding of the word "Samurai." ​

​I could not have known at the time the horrors that waited for me nearly ten years after this original call to adventure—the nightmare-madness of the hospital, the apparent post-mortem of life as I knew it, and the irreparable collapse of both my own image and self-worth to name a few. However, I also could not have known that the truth of those sweat-soaked, blister-laden, soul-crushingly difficult practices with my teacher would indeed equip me to slay the real dragons and giants that emerged along the way. I was not aware that my experiences in Kendo would be a light in that darkness—and that the practice and people of Kendo would restore all I would lose along the way. 
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​I could not have known that Kendo would give me back my life. ​

I can remember ignoring the build-up of symptoms for a long time before things got really bad. Having ulcerative colitis is for many an embarrassing condition and I essentially disregarded most of the issues for many years. Eventually, poor life decisions, a bad diet, and stresses at home and work overwhelmed my immune system. I started losing weight rapidly and was eventually placed in the hospital for assessment. The day the colectomy was performed, I had no idea what I was being put under anesthesia for; the doctor had only told me there was air in my torso and he had to find out where it came from. I woke up being held by my doctor and several other nurses in the recovery room to the words, “It was necrotic Michael, we had to take it out,” meaning the entirety of my large intestine. It was the most tremendous pain I had ever experienced. My large intestine had torn in three separate places and subsequently died—spreading infection and peritonitis throughout my abdominal cavity. Worse, the experience in the recovery room itself would leave me with diagnosed post-traumatic stress disorder for years to come. ​

As dark as these events may sound, it is at this moment my experiences with Kendo began to reveal themselves, but not in any way I could have ever imagined. My mother kept asking why the surgeon refused to transfer me to intensive care, and the only answers he would give were that as bad as things were, they could have been worse. He told her that I should not have made it this far, and that “whatever I was doing beforehand had made me tough.” 
       
When my physical strength was spent (along with almost 70 lbs.), another facet of Kendo began to influence my days: I started looking at the clock in my room the same way I would look at the clock in my first dojo. I always used to think that every 5 minutes I spent in practice would mean I was 5 minutes better than I was before. In my hospital room, I would do the same between wound dressings or difficult procedures—I’d pick a time five or ten minutes in the future and decide that when the minute hand reached that point, I would feel better. This practice never failed me, and I catch myself doing it in moments of stress even to this day. In this way, I was able to keep my mentality positive during my hospital stay. 
       
After the 25th day in the hospital, the surgeon decided I had recovered enough to consider discharging me—albeit under significant aid from home health care. It had taken over 16 combined transfusions of blood and plasma, a week on an NG tube, wound dressings beyond counting, a PICC line, and an ocean of compassion from those closest to me, but I had made it. I was still anemic, but the recovery team established I was stable enough to leave the hospital. I had thought the worst was behind me—and was sadly mistaken. My body was broken, and I had used the extent of my mental and emotional capabilities to cope with the emotional anguish post-operation. It was after being home within the comforts of my old life that my spirit began to erode. 
       
Despite the surgeon’s best efforts, the wound would not heal. The site around the surgery wound became infected, and frequent, agonizing dressing and appliance changes were endured on a daily basis. It was in the moments of learning how to change the dressings of the wound where I found the full meaning of the Kendo I had been learning since the bright days of my past. 
       
In one of these moments, I remembered Iwanami sensei telling me that Kiai moves into us through our breath rather than just a shout. Kiai was not meant to frighten a cowardly enemy, but rather to bolster our souls—to raise the spirit to quell fear or dismay within oneself. It was in the moments when the nurses (with unwavering compassion and through no fault of their own) were pulling my skin off in the re-dressing process that I imagined my own kiai; coming from deep inside myself like the roaring fire, full in the face of the pain and agony of not only the present, but also the past. If I could not fight my circumstances with my body or mind, I would fight them as best I could with my spirit. ​

Editor's Note:  Lindsay sensei's road to recovery was a long one.  Over the course of two and a half years, he underwent 7 major procedures, was placed under anesthesia sixteen times, had four major abdominal surgeries, had pneumonia twice and lost approximately 120 pounds. However, in between surgeries, he tested for and passed the kendo yondan shinsa. Since his recovery, he has regained his strength and is again practicing kendo regularly.

Kendo kata is an integral part of modern Kendo.  More important than the fact that it is included in kendo rank testing, the kendo kata embody concepts and techniques that are essential for our shinai kendo remaining and developing as true Kendo. Accordingly, the Fall 2018 Southwest Kendo and Iaido Federation training event opened with a seminar on the kendo kata.  Robert Stroud, sensei, (Kendo Kyoshi 7-Dan) led the kendo kata seminar at the Fall Event, held in Omaha, Nebraska, the weekend of October 12-14, 2018.  During the seminar, Stroud sensei focused on several important concepts involving both engagement, disengagement, maai and general mindset during the kata. 

​Stroud sensei emphasized that when closing distance in the various kamae, one should not do so in a passive manner.  Rather, kenshi should assume kamae and approach at a slightly quicker pace and more importantly, with the "feel" of cautiously closing as though entering an actual sword fight. Accordingly, Stroud sensei also emphasized expression of strong situational awareness at the completion of each kata.  As in an actual life and death encounter, Stroud sensei advised uchidachi and shidachi to "disengage gingerly."

As kenshi rise in rank, there is an expectation of less reliance upon rote memorization and execution of the kata. Rather, elements such as the specific number of footsteps taken and expression of various maai are increasingly determined by the physical characteristics of the individual practitioners.  Stroud sensei noted as an example that just prior to cutting in nihonme, uchidachi should be at uchi-ma, but when each kata is completed, uchidachi and shidachi should be back at shokujin no maii.  Throughout the kata, both uchidachi and shidachi will be adjusting the length of their steps. So instead of just focusing on the number of steps in kata, we should consider how close or far we need to be from the opponent during different stages in kata, and position ourselves as the situation dictates.

In addition to the spatial aspect of combative engagment distance, the temporal interval was also addressed.  Stroud sensei noted that the interval between "yaa" and "tou" is to be such that it corresponds to a vigorous, rapid cut by shidachi in response to uchidachi's attack.   Again, the idea of realistic adaptation and response to the situation was reinforced. This is akin to execution of techniques such as oji-waza in shinai kendo, whereby the opponent's sword/cut is parried and immediately followed with a counter without waiting, delay, rocking back on one's heels, or otherwise breaking "connection" or seme.

Stroud sensei also provided several corrections or tips for specific portions of the kata.  One notable example was the shidachi's response to uchidachi's thrust to the left lung during sanbonme. Rather than a hooking redirection with the mune of shidachi's sword,  shidachi instead utilizes nayashi waza (tsuki nayashi tsuki) in order to neutralize the incoming thrust and counter attack. Shidachi neutralizes the tsuki (rendering it ineffective) by redirecting it to their left and down (see photos below). Stroud sensei also emphasized that while doing so, shidachi must not allow her left hand to pull away from her center.

Finally, Stroud sensei discussed the progressing skill or even nobility of action demonstrated by the kenshi, during the kata, particularly in the first three longsword kata. The conclusion of these three kata show the development of ability and sophistication of the swordsman from lethal dispatch of the attacker in ipponme; de-fanging the attacker with an injurious cut in nihonmne; and finally defeating the attacker without injury in sanbonme.  In a way, this was a recurring theme that could be found throughout the seminar; i.e., that  over the years, as our understanding and skill at kendo increases, our execution of its waza will evolve as well.

​Takuro Yamaoka, sensei, the leader of the Omaha Kendo and Iaido Kyokai, recently returned from South Korea, where he competed as a member of Team USA at the 17th World Kendo Championships.  Yamaoka sensei participated as a member of the five-man team that won bronze medals in the team competition. Team USA's Men's Team defeated the teams of four other countries (Serbia, Croatia, Italy and Singapore) before being defeated by Korea, the team that would ultimately win the silver.  The final results of the team competition were Japan winning the gold in the team competition, Korea the silver and the United States and Chinese Taipei both winning the bronze. The Men's Individual Champion was Sho Ando of Japan.  The Women's Individual Champion was Mizuki Matsumoto of Japan.

The 17th World Kendo Championships were held in Incheon, South Korea, from September 14-16, 2018, and featured competition among teams from 52 countries.  The United States was represented at the WKC by a contingent of male and female kenshi who competed in the men's individual, women's individual and men's team competitions. ​Team USA was led by the following senseis: Delegation Leader Yuji Onitsuka; Delegation Managers Chis Yang and Shuntaro Shinada; and Coaches Brandon Harada and Daniel Yang.  
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​Yamaoka sensei was selected for the team in 2017 after a series of highly-competitive try-outs that drew team prospects from across the United States. Yamaoka sensei and his teammates participated in numerous challenging workouts held in California and Texas, as well as in other countries, including France and Japan, all in preparation for the World Championships. Hundreds or even thousands of  kendo practitioners worldwide train for decades in order to gain a spot on their  highly-selective national teams.  All of this effort and dedication condenses down into the WKC matches that are three points or four minutes maximum, during a global tournament that is only held every three years. As a result, the WKC features kendo at a very high level of intensity.

​Congratulations to Team USA for again doing an excellent job of representing the United States at the World Kendo Championships!

Recently, members of our iaido class made the trek to Fargo, North Dakota, for the iaido seminar hosted by Anderson, sensei, and the Agassiz dojo. Pam Parker, sensei, (iaido nanadan) of New York’s Ken Zen dojo, once again led the seminar.

Xanto putting up a fight.

Parker sensei shared numerous insights and details regarding Seitei iaido - the twelve standardized forms of the All Japan Kendo Federation. However, Parker sensei also discussed the equally (and some would say “more”) important topic of etiquettes and courtesies found in Būdō, which go beyond the opening and closing formalities of our practice. A major point being that these qualities should permeate everything we do, in the course of our practice. It was noted that higher level senseis would be able to see the presence or absence of these qualities in our actions. Similarly, to such an informed eye, our individual personalities would be revealed in our execution of the forms. 

That’s something to think about both on and off the dojo floor.

The seminar was well worth the drive required to attend it. Our sincere thanks to Parker and Anderson senseis, and to the Agassiz Dojo for their time and efforts that made it a top-notch training.

For more information about Parker sensei, please read her excellent article, courtesy of George M. and Kenshi 24/7:

https://kenshi247.net/blog/2015/02/09/bowing-to-the-7/

Hidehisa Nishimura of Kumamoto claimed first place at the 65th All Japan Kendo Championship on November 3rd at the Tokyo Bodukan.  This video features the final match between Nishimura and Ryoichi Uchimura of Tokyo.  This is Nishimura's second time winning the championship at only 28 years old—you can see why in the first video below!

For years, Nishimura has idolized Uchimura and has worked hard to develop his own version of Uchimura’s style of kote attack.  Nishimura used that very attack to win the match with his long-time hero, Nishimura.

Uchimura observed kendo etiquette, and showed little or no emotion, during what must have been a pinnacle moment in his young life.  Similarly, Nishimura showed grace and dignity after the match, as the two  calmly removed and bound up their gear. 

At the time the match originally aired, observant viewers, fluent in Japanese heard the announcer describe Nishimura and Uchimura's acknowledgement of one another after immediately after the match: “[t]hey looked for each other and Uchimura looked like he gave Nishimura some sign.  It appears that at that Uchimura says to Nishimura, “well done”  (よくやった。).  

​This is a good example of the rich subtleties of the Būdō, that are largely hiding in plain sight.”

For more info, check out the All Japan Kendo Federation website.

Thanks to everyone who came out to Lauritzen Gardens to participate in our kendo and iaido demonstrations during the Japanese Ambiance Festival on Sunday, October 8th.  Members of Kendo & Iaido Kyokai were honored to present their martial arts to more than 100 interested observers at such a rich and educational cultural event.  If you weren't able to make it, the Japanese Ambiance Festival is an annual event—so mark your calendar for next year!